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Even more resounding was the collaborative transdisciplinary project CODE:RED (1999–2010), for which Pogačar was awarded the Rihard Jakopič Award in 2009 and about which a book was published in 2010. One of the more widely echoed projects of the PMCA was Kings of the Street (1995), a pioneering artistic collaboration with the homeless community in Ljubljana. has realised numerous interventions into collections of other museums, including the collection of Ljubljana's Museum of Modern Art Tretjak's African Collection at Koroška Gallery of Fine Arts the collection of the National Museum of Contemporary History, Ljubljana the Museum Boijmans Van Beuningen, Rotterdam Naturmeuseum, Rotterdam Műcsarnok, Budapest Moderna Museet, Stockholm the Max Liebermann Haus, Berlin the Limerick City Gallery, Limerick and the Galerie für Zeitgenössische Kunst, Leipzig. In its more recent collaborative projects, PMCA has also delved into artistic research and analysis of topics such as alternative urban strategies, parallel economies and human trafficking. Very notable acts in this vein have been the reworking of the logotype of the Museum of Contemporary Art Chicago and the theft of the introductory speech of the director of the Guggenheim from its homepage. Its operations (events, public interventions, performances, exhibitions, projections, etc.) are geared towards analysing and deconstructing the symbolic centres of power. Museum of Contemporary Art (PMCA) functions as a virtual institution which exists without its own space – it rather settles into territories and networks of other institutions, operating according to the principles of new parasitism. Tadej has received a number of residencies and awards, among them, the György Kepes Research Scholarship and an award by M.I.T. Museum of Contemporary Art was set up by Moderna galerija (MG) in Ljubljana, and was later also shown at the Museum of Contemporary Art in Zagreb. In 2014, a major retrospective exhibition about him and his P.A.R.A.S.I.T.E. He was also present at the biennials in Sao Paulo, Venice, Istanbul, Prague, and Tirana, and at Manifesta 1 in Rotterdam. Tadej Pogačar (born in 1960) has exhibited his work at numerous renowned galleries and museums around the world – the MUMOK in Vienna, the San Francisco Art Institute, the NGBK in Berlin, the Stedelijk Museum in Amsterdam, the Central House of Artists in Moscow, the Museo de Arte Carillo Gil in Mexico City, the Espaivisor – Visor Gallery in Valencia, and the Vojvodina Museum of Contemporary Art in Novi Sad, to name just a few. Both galleries moved to the Šiška Cultural Quarter in 2012.
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Later, in 2008, the Kapsula Gallery bookshop/project space was set up in an underground shopping arcade in the Ljubljana centre. The first among them was the P74 Centre and Gallery, opened in 1991 in Šentvid, a somewhat peripheral neighbourhood of Ljubljana. Since then, a number of further branches of the institute have been formed.
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In 1993, this was renamed as the P.A.R.A.S.I.T.E.
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Institute was Tadej Pogačar's series of art projects that took place at the beginning of the 1990s, entitled the Museum of Contemporary Art. The historical base for the P.A.R.A.S.I.T.E.